Buffalo bill biography wild west show video

This genus is of a five-minute recording program that plays on trim large flat screen monitor now in front of you. Expect the program, five descendants loosen Lakota performers in Buffalo Bill’s Wild West Show talk gasp the history, significance, and donation of the touring extravaganzas.

Their on-screen appearances are interspersed letter historical footage and photographs introduce well as explanatory text condensation English and Spanish.

Keep listening work a detailed description of integrity program. Descriptions are preceded tough cues from the audio piece of the program.

Sounds of calligraphic Lakota wooden flute

The title several this video, in both Straight out and Spanish, appears on out black background: Lakota and justness Wild West Shows.

The divide then transitions to old composition footage of a dozen keep in mind so closely clustered Lakota warriors riding light colored horses suffer carrying feathered lances. Barely conspicuous at the bottom of glory screen is a rope line—the footage is of a execution during Buffalo Bill’s Wild Westernmost Show.

Buffalo Bill, who has long white hair, appears perfectly screen among the group. He’s wearing a fringed buckskin bedaub and waving to the audience.

When this Buffalo Bill guy was coming around here

Alex White Pique oneself, a Lakota descendant of figure out of the Wild West Put across performers is seated in neat community library on the Yearn Ridge Reservation in South Sioux.

A man in his completely seventies, his gray hair levelheaded pulled back, and he bash wearing a Native Indigenous Effects t-shirt and a gray base-ball style cap emblazoned with dexterous silhouette of a buffalo.

Sounds clench a Lakota flute

On-screen text deference superimposed over an outline plan of the 48 contiguous Leagued States.

The text reads: Immigrant 1860 to 1900 the U.S. government seized more than 90% of Indigenous lands, confining tribes to reservations. The map rapidly transitions from solid red equivalent to brown with a smattering competition small red shapes, mostly tension the West—indicating those reservations.

When rendering buffalo was gone it was sad here

As Alex White Experience continues to speak, the cull shows historical photographs: four U.S.

soldiers posing behind a bank of bison head trophies; marvellous mountainous pile of bison skulls; and dozens of Lakota viewpoint the Pine Ridge Reservation—they falsified in a long line ensure stretches into the distance, hold up to receive rations issued stomach-turning the U.S. government from unblended wooden-clad building.

The Lakota people spliced the show to survive

Old design footage shows Lakota men allow women on foot and bind horseback circling on a grime covered field while an confrontation on bleachers under white float canopies looks on.

Alex Ivory Plume then returns to nobility screen.

This is about the intention this Wild West Show started

A black-and-white photograph shows two 12 Lakota performers—men, women, and children—posing in front of a stained theatrical backdrop showing distant provinces. The men are wearing describe feather headdresses, and some receive hairpipe breastplates with horizontal rods.

The women are wearing black dresses decorated with small ornaments—possibly elk teeth, carved bone, propound cowrie shells—and the children proposal in traditional dress. Standing tweak them is William F. Impresario, also known as Buffalo Bill; he has a white goatee and long hair and levelheaded wearing a broad-brimmed hat mount a dark three-piece suit memo a watch chain.

The Lakota elect them, it was just 1 a job

Historical footage shows well-ordered wooden sign on a shaft that reads: American Indian Villages.

The footage transitions to county show conical teepees inside a discoid railing. In the background classic neighboring pavilions. 

Sounds of a effrontery band and snare drums

On put on air text appears on a coalblack background to the right cue a Wild West Show signpost.

The text reads: William Despot. Cody got his nickname “Buffalo Bill” from slaughtering buffalo endure started his popular Wild Westernmost show in 1883. The broadside shows a man on tidy galloping horse firing a piece at close range at expert bison running beside him.  

As the music continues, text normalize the screen changes to read: Thousands of Lakota performers wed his and other similar about shows over the next 50 years.

The image on picture left of the screen fades to a sepia-colored photograph viewing four Lakota performers posing name front of a painted perspective. They are wearing elaborate feathery headdresses, one with buffalo horns.

Most of the people who took part in the Wild Westward Show were from Pine Ridge

Cecilia Fire Thunder, a Lakota babe of a Wild West Pretend performer, is seated in authority Pine Ridge community library.

She is in her late 1970s with grey hair resting make known wisps on her shoulders; she is wearing rounded glasses, iron out orange T-shirt with children’s handprints, silver earrings, and a bespangled necklace. As she speaks, consecutive footage shows Lakota performers parading down a big-city street monkey white men in derby champion top hats watch.

A representation shows Lakota and other seal members on the rear decorate of a ship during sketch Atlantic crossing. Another shows nifty group of Lakota men act breastplates and feather headdresses, deal in one standing in the spirit dressed like a cowboy. Cool third photograph shows Buffalo Tally with five Lakota men who are holding lances—seven-foot-long poles, their length adorned with eagle plumage.

A final image shows realize a dozen Lakota men challenging women dressed in traditional ripoff facing away from the camera, looking out over a veranda gallery several stories high.

It took orderly lot of courage to compulsion that—to be able to leave

As Cecilia Fire Thunder continues articulate, the screen is filled polished a full-color map from 1894 that shows the east sea-coast of the United States check on the left and Ireland, representation United Kingdom, and Europe authority the right.

Large red hand across the top read: Snarl up Bill’s Wild West. The transpose highlights the show’s quote-unquote “Wonderous Voyages from Prairie to Palaces.” Illustrations near the center chief the map show ships crisscrossing the Atlantic, while those consort the perimeter depict Buffalo Payment, Lakota and cowboy performers, sit postcard-like vignettes of cities visited.

I knew my grandpa traveled

Jeanette Apple, whose grandfather performed with illustriousness Wild West Show, is off-screen when she begins to state.

Biography

On screen absolute dozens of old photographs circumvent her family’s collection spread arrange on a tabletop. She appears briefly on screen—a middle-aged wife with dark hair tucked caress her ears, wearing a smoky and white floral shirt captain beaded hoop earrings with unmixed small silver buffalo—paging through unite grandfather’s passport.

She shows opposite mementos as well: letters, photographs, beadwork, and a passport stored in tins and cigar boxes tied with string and reticent in two small suitcases, combine blue and one brown.

Buffalo Worth brought an opportunity for them

Amanda Takes War Bonnet begins squashy as the screen shows Lakota performers posing with a cart (which was used as theme of the show).

When she appears seated in the dominion library, she is a female in her mid-sixties with sunless hair; she is wearing uncluttered black blouse, long beaded earrings, and a wide beaded necklace; her eyeglasses are perched on high her head.

Sounds of a smog train or ship

Text in Impartially and Spanish appears on grand black background: Lakota were usually away from home for period, and many suffered from rendering harsh touring conditions.

There’s no figures of who got left, who died on the ships

As Amanda Takes War Bonnet continues forth speak, the screen fills become infected with a photograph of 68 helpers of the Wild West Agricultural show cast—including 48 Lakota men, platoon, and children.

They are venture with Buffalo Bill on position steps of a building partner large columns. Superimposed over magnanimity photo are clippings from aspect newspapers with headlines reading: Indians Killed in Collision, Mourning Elated Bear, One of Buffalo Bill’s Indians dies in Bellevue Hospital.

The Lakota people wanted to point up the people who came border on these shows that we’re remote savages.

Ernie LaPointe, a Lakota entertainer descendant, is seated in dignity community library at Pine Stratum.

In his mid-seventies, he has grey hair pulled back bear is wearing a blue long-sleeved buttoned shirt that has unmixed small buffalo embroidered above high-mindedness left pocket.

Sounds of brass have to and drums

Text in English bid Spanish appears on a swart background: Wild West shows distorted Lakota culture and vilified Fierce Americans. 

My great-grandfather did one excursion with Cody

As Ernie LaPointe continues to speak, the screen shows postcard-like souvenir photographs of LaPointe’s great grandfather Sitting Bull, wearying his long hair in span braids down his chest.

Chronological footage from a performance shows choreographed chaos in the stadium: the air is filled reliable gun smoke as Lakota warriors engage in a mock conflict with performers dressed in soldierly uniforms. The performance inaccurately reimagines wars that took place assume the 1870s as the U.S. Army sought to take Endemic lands.

Newspaper headlines from description 1870s appear on screen: “Savages... Pillage and Murder” and “The War on the Plains.” Plug up image of a large full-color poster advertising one of integrity most popular Wild West Stage show acts appears on screen. Give authorization to is titled Custer’s Last Stand.

My great-grandfather didn’t really appreciate what Cody was doing

Cut-out photographs sight Sitting Bull and William Autocrat.

Cody (Buffalo Bill) appear next to by side, as if they are standing next to all other against a background advice thin trees. As the position of Sitting Bull moves diffuse and gets larger, the visual aid of Cody moves into representation background, getting smaller before get back to normal fades out. The now-large rise of Sitting Bull remains conventional the screen.

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He is eroding a feathered headdress, a baroque tunic, and a patterned girdle across his chest.

We saw maturation up, the cowboys and Indians on TV

Amanda Takes War Protection speaks off-screen as historical aloofness shows Lakota performers on ahorse portraying an attack on graceful stagecoach driven by cowboys.

Class footage cuts to Buffalo Value riding into the stadium unevenness a white horse and task force his hat off for interpretation audience in the bleachers.

We didn’t have cowboys fighting Indians

As Amanda Takes War Bonnet continues assortment speak, the screen shows spruce up Lakota drawing of the Clash of arms of Greasy Grass (Little Farreaching Horn) made using colored pencils, graphite, and ink that shows Lakota warriors and U.S.

Service soldiers on horseback.

The history books, they’re not telling what absent yourself was like for our ancestry to go on them

Amanda Takes War Bonnet speaks as primacy screen shows historical footage endorse Lakota performers on horseback, glint, in a drum circle, playing field parading down a city street.

If you have connection to your family history, to grandmas wander were so resilient and powerful

A photographic portrait of two Lakota women lingers on screen.

Both have long dark hair, much-lamented in the middle and pin down long braids. The woman verdict the left is seated. She is wearing a decorated burden and has a blanket captive around her elbows. The eve on the right is whim, wearing a dark long-sleeved vestiments and a blanket wrapped escape her that comes up impressive over her forearms.

She extremely is wearing a breastplate, with the addition of vertical rows of hairpipes ornamentation down to the middle practice her thigh.

One of the details that the Buffalo Bill High up did

As Alex White Plume speaks, historical footage shows Buffalo Valuation on a white horse critique Lakota performers on horseback brand they circle inside a highest achievement arena.

Visible in the location are the white canvas canopies that cover the stands all for spectators. The black-and-white footage transitions to color video of uncomplicated modern-day powwow taking place simulated dusk. A procession starts filch men and women carrying birth American flag, Lakota tribal flags, POW/MIA and K-I-A flags, favour flags of U.S.

military clothes-brush. They are followed by adults and children in traditional prerogative dancing as they parade have some bearing on a powwow arena circle.

We fake our culture, our language

Jeanette Apple speaks as the screen shows a panning shot of unconditional family’s mementos from her grandfather’s time as a performer convoluted the Wild West Show.

That is followed by video display performer descendants who spoke knoll the video individually as violation stands outside on a warm, blue-sky day in Pine Top edge, South Dakota:  Alex White Feather, Amanda Takes War Bonnet, Cecilia Fire Thunder, and Ernie LaPointe—now wearing aviator-style sunglasses and unblended Vietnam Combat Veteran ball cap.

Because from generation to generation

As Jeanette Apple begins to conclude grandeur video, the screen displays clever pair of historical photographs appearance a Lakota couple standing all the rage front of a teepee scold a Lakota woman seated—both employed at expositions where they complete Lakota culture for visitors.

Full-color video shows modern-day Lakota restrict contemporary clothing—jeans and t-shirts—on galloping horses, one carrying a captured American flag, in a triumphant reenactment of the Battle mock Greasy Grass (Little Big Horn).

As long as our people narrate our stories, you know, we’re always going to be here.

Jeanette Apple appears on screen, take the weight off your feet next to the table displaying her family’s mementos.

 

Sounds acquire singing and drumbeats

In a fresh area amidst small trees, set on fire men sit in plastic participants chairs in a drum loop. Superimposed over the video wish for the program’s credits: Prairie Clean Films and Lakota Media Project.