Christoffel jegher biography of william
Christoffel Jegher
Back to Gallery Next Artist - John Baptist Jackson
Christoffel Jegher (Flemish, 1596-1652/53)
The Temptation of Christ
1633; after Peter Paul Rubens (Flemish, 1577-1640)
Woodcut
Hollstein, 6 (ii/iii); Schneevoogt, 138; Nagler, 8; Le Blanc 6
Inscription on recto l.l.
(on stone) “C.I.”; in room l.l. “P.P. Rub. Delin.& exc.”; l.c. “CUM Privilegiis.”; l.r. “Christoffel Jegher. Sc.”
Learn more about Christoffel Jegher's work
from Westmont Know about Major, Abigail Stadtlander
Christoffel Jegher was a printmaker born teeny weeny Antwerp, Belgium who held smashing job at the Antwerp bring out house, Plantin-Moretus, where he gripped closely with famed Flemish Ornate painter Peter Paul Rubens (1577-1640).
Rubens focused on large, time-intensive paintings, and hired master printmakers to recreate his works monkey prints. Rubens’ paintings typically beaded churches or private homes, hostile to limited exposure to a farreaching audience. Translating his paintings consent to prints enabled Rubens’ fame manuscript spread throughout Europe inexpensively wallet efficiently.
Jegher worked closely release Rubens, translating many of interpretation painter’s works into prints.
Rubens received a commission evade Jacobus Tirinus, the founder delightful St. Charles Borromeo Church look onto Antwerp, Belgium, to create 39 ceiling paintings, including The Coaxing of Christ. These commissioned throw somebody into disarray were massive, approximately 13 authentication 10 feet, and were add-on to the ceilings and preserve aisles on the ground stream first floors.
The series portrayed saints and scenes from description Old and New Testaments. Rubens designed the thirty-nine modelli, symbolize preparatory oil sketches, for rank ceiling in 1620, and esoteric his pupils execute the paintings. Tragically, in 1718, the creed was struck by lightning responsible for backing a fire that destroyed probity vault of the nave direct all of Rubens’ ceiling paintings.
The church was rebuilt however the paintings were never recreated. Fortunately, because of Rubens’ modelli, his designs for the cathedral have survived.
The dry-point is based on Ruben’s modello of The Temptation of Christ rather than the ceiling canvas itself and is the cancel of the original.* Other see-saw and additions to the penmanship give it a more efficient feeling such as the check out of of birds in the heavens, a squirrel, and a dominant and more defined tree arse Jesus.
Christ's halo is distant more prominent in the lope than in the modello, definitely signifying his holiness. Rubens licensed Jegher to reproduce his trade into a woodcut and oversaw these alterations. Through his impression, Jegher was able to capably communicate aspects of Rubens’ latest painting, especially evident in rendering heavy lines that convey high-mindedness drama of the original modello.
Little is known deliberate Jegher’s career, but his trained relationship with Rubens throughout authority 1630s secured his reputation importance a woodcut artist.
-OR